Are you still stuck playing the same tired blues guitar chords?
Let’s be blunt: If your blues playing still sounds like a high school jam band covering Stevie Ray Vaughan at half speed, it’s time to level up. Blues is about feel, but it’s also about vocabulary. And if you’re only using a handful of chords—E7, A7, B7—you’re speaking the blues in baby talk.
Discover the Chord Secrets Pros Use
I was 16, hunched over a pawn shop Strat, fumbling through a 12-bar in A. It sounded fine—technically. But it didn’t feel like the records I loved: B.B. King, Albert Collins, Buddy Guy.
Then my teacher scribbled two chords on a napkin: A13 and D9. I played them. The room changed. That day I learned something you’re about to learn: the right chords don’t just fill space—they tell a story.
What Are Blues Guitar Chords, Really?
You know the classics. But blues chords are more than open shapes. They’re dominant, dirty, soulful. The lift from an A7 to a D9 isn’t just a change—it’s a conversation. And the chords that talk the best are the ones pros rely on: dominant 9ths, 13ths, and diminished chords.

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The Bedrock: Dominant 7th Blues Guitar Chords
Let’s start with the heart of the blues.
A7 (open position):
e|---0---
B|---2---
G|---0---
D|---2---
A|---0---
E|-------
Try a subtle hammer-on to the C# on the B string. That’s the kind of movement that makes your rhythm section grin.
Next-Level Extensions: 9ths and 13ths
A9: The smooth operator.
e|---0---
B|---0---
G|---2---
D|---0---
A|---2---
E|---0---
E13: The secret sauce.
e|---0---
B|---0---
G|---1---
D|---1---
A|---2---
E|---0---
Use it in your turnaround. Feels like cruising down Beale Street.
The Emotional Blues: Minor and Diminished Chords
Sometimes the blues doesn’t shout—it weeps.
Minor Blues Progression (Key of Am):
| Am | Am | Am | Am |
| Dm | Dm | Am | Am |
| E7 | Dm | Am | E7 |
Think “The Thrill is Gone.” Slow. Simmering. Sincere.
D#dim7: Adds drama.
e|---1---
B|---0---
G|---1---
D|---0---
A|-------
E|-------
Slip it between A7 and D7. Cinematic tension in a single move.
The 12-Bar Blues: And Why It Still Rules
Classic structure. Eternal power.
| A7 | A7 | A7 | A7 |
| D7 | D7 | A7 | A7 |
| E7 | D7 | A7 | E7 |
Pro Tweaks:
- Swap A7 with A9 or A13
- Add D#dim7 before D7
- Turnaround magic: A7 – F#7 – B7 – E7
3 Must-Know Blues Progressions
1. Chicago Shuffle in G
| G9 | C9 | G9 | G9 |
| C9 | C#dim7 | G9 | E9 |
| A9 | D9 | G9 | D9 |
2. Slow Burn in E Minor
| Em | Em | Em | Em |
| Am7 | Am7 | Em | Em |
| B7 | Am7 | Em | B7 |
3. Jazz-Infused Blues in C
| C13 | F9 | C13 | C13 |
| F9 | F#dim7 | C13 | A7 |
| Dm9 | G13 | C13 | G13 |
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Final Thoughts: Why Blues Guitar Chords Matter
Blues isn’t just three chords and the truth. It’s knowing which three chords to play—and how to bend that truth.
The right voicing, the right extension, the right tension and release—that’s where real emotion lives. And if you want to play like the legends? It starts with knowing your fretboard.
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Stop sounding like everyone else. Start sounding like you.
Let’s unlock the neck—one chord at a time.
Want to dive deeper into the five shapes of the pentatonic scale? Check out our full guide on guitar pentatonic patterns to see how they connect across the entire fretboard.